The glass panels are decorated with images of
structures derived from bionics and geometry. Unprinted places are
transparent, visibly projecting panel motives on the building's
rough plaster facade in an interplay of light and shadow. The glass
panels seem to be flying windows which set the facade in
motion. The use of printing, projection, positioning, and the
reflexes from differing places and passing speeds creates an open
structure with sequences of film-like images. This serial sequence
generates a multifacetedness which constantly changes through
perspective and the effects of light. |